기술과법에관한 전문학술지:
[제15권 5호] 2019.9.
법관업무의 지원을 위한 머신러닝의 발전상황에 대한 소고/인공지능기술과 우리나라 특허법의 발명의 성립성/인공지능 기반 의사결정에 대한 법률적 규율 방안/혁신 채찍, 그 사례와 인공지능·빅데이터 시대에서의 역할/디지털 환경에서의 상표..등
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소식란 > 공지사항
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2019-10-29
No 
일 시 : 2019. 11. 8. () 오후 630(만찬 포함)
장 소 : 쉐라톤서울팔래스호텔 다이너스티A(서초구 사평대로 160)
주 최 : 서울대학교 기술과법센터
 
프로그램
 
[18:20-18:30] 등록
 
[18:30-19:20] 저녁식사
- 사회 정상조 (서울대학교 법학전문대학원 교수)
 
[19:20-19:50] 초청강연
- Sean M. O'Connor (Professor of Law, George Mason University)

[19:50-20:50]
발표
- 조재영 (청운대 광고홍보학과 교수), 음악 산업과 저작권
- 곽재우 (법무법인 광장 변호사), 음악 산업에서의 라이선스
- 오혜진 (한국음악저작권협회 변호사), 한국음악저작권협회의 당면과제
 
[20:50-21:00] 토론 및 질의응답
 
* 강연자 소개
Professor Sean O’Connor, a Stanford Law graduate, practiced law at multinational firms based in New York and in Boston before entering the academy. He has served as general counsel to innovative start-ups, creators, and nonprofits. He has testified before Congress and the Washington State Legislature, and has presented at the Federal Trade Commission and U.S. Patent & Trademark Office. O’Connor has been a visiting professor at University of California at Berkeley, Boston College, George Washington University, Université de Strasbourg, Université de Bourgogne and Katholieke Universiteit, Lueven (Belgium). He has lectured in China, India, Saudi Arabia, Israel, and Cuba.
 
O’Connor designed and launched pioneering programs, including the Entrepreneurial Law Clinic, the Cannabis Law and Policy Project, and the Law, Business and Entrepreneurship Program at the University of Washington. He helped build the Program in IP Law and Policy and expand the well-known Center for Advanced Studies and Research on Innovation Policy (CASRIP). As Assistant Dean for Law, Business and Technology Initiatives, he oversaw these programs while serving as Chair of the University IP Management Committee and on the committee that designed the Global Innovation eXchange (GIX). A former professional musician and songwriter, O’Connor now taps that background to organize conferences, produce scholarship, write amicus briefs and op-eds about various aspects of the music ecosystem.
 
As a scholar, O’Connor has been published in top law reviews, including University of Chicago Law Review, Boston College Law Review, and University of Illinois Law Review. He has published numerous book chapters and authored commissioned reports for National Academies of Science and other organizations. He is currently completing a book, The Means of Innovation: Creation, Control, Method+ology, and serving as Editor for a new Handbook of Music Law & Policy, both to be published by Oxford University Press.

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